Our Friends

Sir Edwin Landseer

Sir Edwin Landseer

Rate this article:

Printer friendly view Send to a friend

Wild Man: The Brilliant, Crazy, Tortured And Impactful Life Of Sir Edwin Landseer

Scholar Francis Broun Delivers An Overview Of Landseer's Career

Written by Todd Wilkinson (Authors Bio)



Edwin Henry Landseer (1802-1873) arguably was wildlife art's first superstar, with over 400 works turned into engravings and made available to the adoring masses.  His career in art started young—his talent was acclaimed—though it's never easy to be a child star; few who are identified as prodigies are able to cope with the pressure of high expectations. 

Landseer's paintings can be found in the permanent collection of Tate Britain; his lion sculptures are iconic fixtures in London's Trafalgar Square; and he was knighted by Queen Victoria to earn the title of "Sir". 

Landseer in his prime was unsurpassed. But fame wasn't all that it was cracked up to be for England's best known animal artist of the 19th century.  Foremost, he loved the wilds of Scotland.  He portrayed wildlife allegorically and romantically, though he could—and did— paint anything.  In 1851, Landseer completed Monarch of the Glen that was commissioned, as part of a three work package intended to hang in the refreshment room of Parliament but fickle lawmakers balked after the paintings were finished.  One example of disappointment in Landseer's life.  As a result, those works were sold to private collectors.



Monarch of the Glen (1851), oil on canvas, by Sir Edwin Landseer


Nonetheless, reproductions were made, enabling Monarch of the Glen to go into wide circulation.  It was so popular that it even became the brand logo for Dewar and Glenfiddich Scotch.  (So much for the judgments of politicians).

For all of his success, Landseer for much of his adult life battled depression and melancholia, nervous breakdowns and an addiction to drink, historians say.

Francis Broun talks about Landseer's life in this video "Genius Denied: The Art of Sir Edwin Landseer".  (If you have time, watch the entire lecture;  otherwise, fast forward to the 28 minute, 30 second mark).  Here, Broun observes:  "Most artists didn't have good table manners. Landseer knew how to play the game. No dinner party was complete without his appearance. He was a real dandy.  He wore frilly shirts and had naturally curly hair.  (He was a) witty conversationalist.  No party was a success until he performed his uncanny impersonations of bird calls and barnyard animals.  These are useful talents to have but he could appeal to anybody."

Landseer had talent;  he also was a bonafide character. (Look for a coming feature on Landseer in a future edition of WAJ).

Rate this article:

Printer friendly view Send to a friend

header_discussion-blog
There are currently no comments for this article. You could be the first!

Leave your comment

Your e-mail address will not be publicly displayed, but is required. We respect your privacy and
never send spam. Read our privacy policy for details...
Your Name*:
* = required fields
eMail Address *:
Comment Headline*:
What is your comment?*

Hard to read? See a new code.
Please type the letters you see in the image above. This helps us to prevent spam submissions.
Enter code here:

Already a subscriber? Log-in here.

LOG-IN HERE
Lost Your Password?

Recently Tweeted

With rhino poaching an epidemic in southern Africa, shoot to kill is the norm in some parks.... Johnny Rodrigues... http://t.co/HYKeRt2G

Facebook

Receive our free articles by email

Sign up now and we'll send you a free monthly newsletter that reminds you of important stories in Wildlife Art Journal, blogs and other content you'll want to know about.

First Name:

Email Address:

Yes, please let me know about special subscription savings.