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Summer Is About Color But Why Is There So Much White Space?

John Potter And Bateman Lead The Lineup Of New Wildlife Art Journal

With the summer issue of Wildlife Art Journal now at your digital fingertips, we're upping the ante in color and commentary.  In this season north of the equator, palettes are in full bloom yet in what hue would you paint the level of discourse?

We've selected John Potter for the WAJ cover because he represents a contrast.  Here is a question meant to provoke, not anger:  Why is the world of contemporary wildlife art—as expressed in the faces of painters, sculptors, shows, organization memberships and collectors—so lilly white?

Don't recoil and turn defensive. Reach out and try to

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