In the shift from modernism to post-modernism during the 1950s, Bateman embraced experimentation and still explores other stylistic approaches that depart from his softer-edged Realism for which he is best known.
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ICEBERG AND HUMPBACK WHALES, acrylic, By Robert Bateman
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TIGER TRADE, Robert Bateman ABOUT THIS COVER OF WILDLIFE ART JOURNAL: The artist uses a tiger rug as a prop for protesting the trade in endangered species, with the horns and internal organs of some animals being used as aphrodisiacs and other medicines. The words in Mandarin beneath the rug say "Tiger Trade." The piece grew out of Bateman's outrage in finding the parts of dead tigers for sale as he walked through a market in Asia.
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Like the old-growth forests he has tried to forget, Bateman reigns as a pillar of the modern movement in wildlife art.
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DRIFTNET–PACIFIC WHITE-SIDED DOLPHIN AND LYSON ABATROSS, acrylic. This is one of Bateman's protest paintings against the destructive phenomenon of bycatch within the commercial fishing industry. Print companies had no interest in publishing the image because it isn't pleasant nor is it "saleable" to the masses. By Robert Bateman
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The Spectacular And Troubling World, According To Robert Bateman

Bateman Launches Solo Exhibitions In St. Petersburg and Moscow

Written By Todd Wilkinson (Author's Bio)

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Gracing the same halls where masterpieces by Kandinsky, da Vinci, Michelangelo, Monet, and Picasso have hung, 50 works by Canadian painter Robert Bateman are being featured in a series of one-man exhibitions in Russia.

"I know of no other modern 'wildlife artist' who has been honored with consecutive one-man exhibitions in museums like these of world-class stature,"  says art historian David Wagner, author of American Wildlife Art.  "It proves without a doubt, as I claim in my book, that he [Bateman] is the most venerated wildlife artist of our time."

Beginning on October 8, 2009, a selection of Batemans went on display at the State Russian Museum, Mikhailovsky Palace (Michael's Castle), in the city of St. Petersburg near the Hermitage.  A two century old  grand neoclassical edifice, it is the largest repository of Russian fine art and, in the past, has hosted major traveling exhibitions of European and Asian masters.  Bateman's showing of works there runs through mid January 2010.

Two weeks later, the venue will change to Ivanovo Regional Art Museum in the city of Ivanovo for a limited run, and then reach the Tula Museum of Fine Art in Tula. Finally, as a crescendo in summer 2010, the exhibition will open at the magnificent Tsaristino Art Museum in Moscow's Tsaristino Park, part of an estate once owned by Catherine the Great.  By clicking here, readers can view the pieces in Bateman's Russian tour .

That Bateman commands such a stage, yet remains absent from...

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· Article is 5,525 words long (250 are displayed in this preview).

Author: Todd Wilkinson

Editor's Comments:

'Robert Bateman's struggle is the struggle of all wildlife artists on the planet. After riling people up in his native Canada, making a splash in the US, and seeing his retrospective return to the Whyte Museum of the Canadian Rockies in Banff, Bateman goes to Russia.  His works will be on display in St. Petersburg and Moscow through 2010.  This story explores the Robert Bateman phenomenon and his fierce advocacy as an environmentalist. His transformation can be seen in more than 40 works seen here at Wildlife Art Journal. '

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