EYE TO EYE, 66 X 121 centimeters, acrylic on board, By Julie Askew
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WOLF SKETCH 7 By Julie Askew
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The metamorphosis of "Eye to Eye" continues. By Julie Askew
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Askew applying the final brushtrokes to her wolf painting "Eye to Eye".
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Julie Askew, while gathering research for her easel paintings.
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A Letter From: The Lamar Valley, Yellowstone National Park

British Painter Julie Askew Ventures Into The Dale Of Wild Wolves and Goes 'Eye to Eye'

Written By Julie Askew (Author's Bio)

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My first sighting of Canis lupus  - the gray wolf - in the wild, was in a distant cattle field just outside of Bozeman, Montana a few years ago.

At first, I had thought it to be a strange calf cutting through the middle of the herd in a loping motion. The cattle by all accounts, ignored it.

I grabbed my binoculars and was somewhat surprised to see that on closer inspection, it was indeed a very pale-coloured wolf.

I was ecstatic at this sighting. Its location amongst the cattle was disturbing, though, and highlighted the understandable problems that both ranchers and wolves have outside of the Yellowstone boundaries.

Eye to Eye
Being English, the only wolves I had seen before were in collections and zoos. Usually they are somewhat lethargic and slightly bored animals. So spurred on by the first sighting, I headed off to Lamar Valley in northeast Yellowstone National Park.

The beautiful, wide valley of Lamar opened out before me. Buffalo grazed near the winding river on the valley floor and the mountains raised majestically all around.After an evening of waiting and watching for canine movement in the ever cooling air, a spare tent was offered by two kind wildlife photographers who were also on wolf watch. So there was a chance of an early morning sighting.

It was a very early start, well before sunrise. It was very cold and more than a little damp as I followed the jeep...

Additional Article Information:

· Article is 697 words long (250 are displayed in this preview).

Author: Julie Askew

Editor's Comments:

'We hope it has become clear by now that although Wildlife Art Journal is headquartered in North America, somewhere near the wildlands of Yellowstone National Park, we are not Yankee-centric. We embrace regional affinities set within the larger mosaic of internationalism. It is always a special pleasure when artists from outside WAJ's home region interpret places near and dear to us.  On that note, we hope you enjoy reading English painter Julie Askew's "Letter From" based on a research trip she took to Yellowstone's Lamar Valley and check out Susan Fox's dispatch from Mongolia as part of an Artists For Conservation Flag expedition. '

Research tags: julie askew, wolves lamar-valley yellowstone, wildlife-art-journal, a voyage round the world in paintings, letter-from, susan fox, artists for conservation

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