Read this Wildlife Art Journal article Artist Julie Chapman immersed in the elemental forces of her work. Subscribers may see all 6 images. WET BEAR #6, oil on textured cradled hardboard panel, 12 x 24, By Julie T. ChapmanSubscribers may see all 6 images. SUSPENDED ANIMATION, oil on yupo, 20 x 11,
By Julie T. ChapmanSubscribers may see all 6 images. THE WOLF ROAD, oil on canvas, 30 x 40, By Julie T. ChapmanSubscribers may see all 6 images. HARD RIDING, oil on textured canvas panel, 18 x 30, By Julie T. ChapmanSubscribers may see all 6 images. (3) Five Questions/Five Art Works Meets Julie Taylor ChapmanPainter Andrew Denman Asks Former High Tech Engineer To Talk About Taking RisksWritten By Wildlife Art Journal Staff (Author's Bio) Every few weeks, Wildlife Art Journal features another installment of Five Questions/Five Art Works in which an artist is interviewed and able to show off five works of their own choosing. We call this the art conversation that never ends.
After artists are interviewed, they, in turn, interview another artist and can ask him/her any five questions—so long as they are directly or remotely art related. An added dimension is that the link between artists is intended to transcend countries. (See rules, below)
In our first installment, WAJ editor Todd Wilkinson interviewed Susan Fox who then engaged Andrew Denman in a conversation about painting. Now, Denman chats with colleague, Montana artist Julie Taylor Chapman.
Chapman, whose studio resides near the northern Rockies university town of Missoula, Montana, became a full-time painter in 2003 after working 18 years in marketing, research and development at tech titan Hewlett Packard. "Sometimes I'm envious of those who have had the advantage of a formal art education and began their art careers much younger," says Chapman, who is, by training, a software engineer. However, in her case, she is proof of the rewards that come with combined right and left brain function. Her professional detour in digital media aside, Chapman says that she has been evolving as a painter "all her life."
Here is Andrew Denman's interview.
ANDREW DENMAN:What are the most significant ways in which your art has grown and changed over the years, and what people and... Additional Article Information:· Article is 1,465 words long (250 are displayed in this preview). Author: Wildlife Art Journal Staff Post Date:September 3rd, 2009 'Every few weeks, Wildlife Art Journal will feature another installment of Five Questions/Five Art Works in which an artist is interviewed and able to show off five works of their own choice.
After they are interviewed, they, in turn, interview another artist and can ask him/her any five questions of their choosing—so long as they are directly or remotely art related. An added dimension is that after five artists have been featured in a row, the next must reside in a country outside the borders of where the fifth artist lives.
The chain, thus far:
Todd Wilkinson interviewed Susan Fox
Susan Fox tapped Andrew Denman
Andrew Denman selected Julie T. Chapman
Five Questions/Five Art Works Allows Artists To Interview Other Artists. It's part of an ongoing conversation.
Ground Rules
1. The contacted artist is asked five questions, any questions related to art or the artist's life, and in addition to providing the answers, the interviewee passes along five digital images of her/his artwork for display at Wildlife Art Journal. Information should include full name of artist, generally where she/he lives, and how long they've been an artist
2. The person asking the questions forwards the answers to the questions and the images along to Wildlife Art Journal. Email: editor@wildlifeartjournal.com
3. The artist who is interviewed then is asked to select another artist of her/his choice to whom another, different set of five questions are posed. Again, any questions, as long as they are related to art and the artist's life), and then, similarly, to point 2, above, ask the interviewee to provide five digital images of her/his work to accompany the questions. Once an artist is interviewed, they have to interview someone else and send the material along to me.
4. This process will be ongoing and we will collect a roster of artists and their respective country as this grows. One rule is that after five artists are interviewed from a given country, the next person selected must hail from a different country. For example, if five American artists are featured in a row, the fifth person selected will then pick an artist friend/colleague in another country.
5. Our motivation is to make the questions intriguing and to allow participating artists who show off their art to a wide audience, while hopefully enabling readers to learn something along the way.
If you have any questions or need clarification, please contact me: Todd Wilkinson, Editor, Wildlife Art Journal, editor@wildlifeartjournal.com
' Research tags: julie chapman, andrew denman, susan fox, julie+chapman, andrew+denman, susan+fox, simon gudgeon, simon+gudgeon, halcyon gallery, halcyon+gallery, triple d game farm, greg+beecham, oleg+stravrowsky, wayne+thiebaud, john+nieto, bob+kuhn, triple+d+game+garm, |
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